Friday, January 28, 2011
initial stages of filming
We decided to begin by shooting the stop motion barbie characters in their sequence of drinking getting into the car and crashing, it was hard it first to get into it, and know esactly how to make the characters look as though they were moving realistically and effectivly, but one we shot the first few short scenes, it became alot more aparent. We thought that it would take too many tiny movement and then shooting to make it look as effective as we wanted, but when veiwing our footage back, the amount we did get worked very well in creating a life like barbie and ken scene, the slight jumps which you get from stop motion worked effectivly in the way that it creates humour, something we wanted to make happen in order for the real life footage to have massive impact. We decided on an angled angle when capturing the barbies instead of a typical straight on angle, it added far more interest to how it looked. we had tried the initial straight on angle and found it blocked out one of the characters and therefore just looked jumbled, confusing and uninteresting. We wanted to make the crash scene with the dolls very dramatic in order to prepare the scene for the real life actors that will position themselves simularly to the dolls, therefore by making the dolls in elaborate injury poisitons, it allows us to create a more dramatic crash for when the actors end up in the same position for the following scene. We had barbie falling out of the door, with 'ketchup' as blood around here, and ken on the windscreen from being flun also with ketchup around him and up the wall. The ketchup is fairly obvious that it is that, which is what we wanted to create to add to the humour, and to allow us to poor more realistic 'fake' blood onto the real scene so that it adds far more impact on the audiences. Overall we were very happy with the filming of these scenes creating 1 overall scene,
Thursday, January 20, 2011
pre production poster.
THE ONE WITH MY OWN PHOTO- DOES NOT CREATE AS MUCH OF AN EFFECT AND SUDDEN IMPACT THROUGH THE EMOTION OF THE FACE TO THAT OF THE ONE FROM THE INTERNET, ALTHOUGH DOES STILL CREATE THE COMPOSITION I WANTED. AND THE LIGHT AND DARK CREATED IN THE FACE OF THE INTERNET MAN FITS FAR BETTER WITH THE COLOURS AND COMPOSITION OF THE REST OF THE POSTER.
When considering how to do my drink driving poster, I knew straight away after searching some previously published posters on drink drinking that I wanted to use large font as the main focus point of my poster, filling up the majority of the page. This will be on a black background with white and red font. I believe this works best as it really stands out against the background and really grab peoples attention especially with the word 'DONT' in big bold red letters. The whole point of our campaign is to reduce drink driving, therefore I need the poster to put this message across quickly and simply. Therefore my main font and main headline of my poster will be the words ''DONT DRINK AND DRIVE''. followed by smaller letters explaining further into the campaign of 'living with it' with the the words '' COULD YOU LIVE WITH THE CONSEQUENCES?'' This needs to really have impact on the audience as I want them too understand what could happen if their actions in this situation are wrong, therefore I used a picture of man screaming as if devastated with his actions. No one would want to feel this emotion and by seeing it instantly it will immediately portray the point of the campaign. I kept it black and white so as not to break up the colour scheme and to keep it dull and dark to show the mood I want to create; a sad emotional shocking emotion. Next I wanted to play around with the words to add interest and an obvious idea came to mind to change the 'I's' to beer glasses. This will allow the audience to associate the images with the text immediately and understand in further detail the message it is conveying. I think having less text and few pictures stops confusion and allows the viewer to understand it immediately and not need to stare at it to work it out, something which you don't want when needing quick impact on the viewer. And finally I added the image of a steering wheel in order to show the relationship between the alchahol and the driving. It allows the audience to realise further that its not about just drinking over the limit, its about making the right decision to not drive under the influence of alcohol.
i asked my family and a couple of friends what they thought about my poster, firstly I wanted to know if the impact was big enough, if it immediately caught there attention and is there anything I can add? there were replies such as:
'' It did catch my attention very quick, the contrast in colours works great in being able to read the font and get the message quickly and effectively.''
''I like the way the beer bottles have replaced the I's the little 'pun' allows relief from the seriousness of the poster while still allowing the message to be fully shown.''
Although the picture works far better as its detail in the expression is hard to capture through an image of my own, I had to try it with a photo i had taken. It didn't create quiet the same depth and effect, but still created the image I wanted it too.
coursework ideas
We came to the idea pretty quickly that we wanted to focus on drink driving. The reason for this is that we can relate to it straight away as we are just starting driving ourselves, therefore will be able to produce an advert in a way we know would have a massive impact on us. We are also part of the target audience age range, so believe we have a good chance at creating unique, high impact adverts.
After the group decided on this topic (drink driving) I began thinking of my individual idea, what could really grab the attention of the audience and have great impact on them leaving it in their minds even after the advert has finished. Therefore I came to the conclusion that there are not many adverts out there broadcasted often about living with the consequences of drink driving and so I wanted to target this area of fatal drink driving accidents. How could I do this.. I researched many drink driving adverts such as, http://www.youtube.com/watch?v=xtJqw--DGl8, DOE drink driving advert. http://www.youtube.com/watch?v=qsY_Co-p8Bw THINK! Drink driving advert, and http://www.youtube.com/watch?v=oQtTREndJKkUK drink driving advert. Out of all the ones I viewed, personally I found that the ones involving children or the effects left on children have a much greater impact. I asked many students what they thought and the large majority agreed due to them being far more venerable, innocent and still have their whole lives ahead of them. This is how I came to the idea that the main focus of my advert will be that of a young girl, during school life and the effects her death has had on everyone around her and the man who killed her. (man because it is proven by statistics that male’s cause the majority of fatal car accidents, and also because a grown man is the complete opposite to a venerable small child.
There is an advert that is currently being broadcast that involves a man seeing the child he killed everywhere he turns, in his sleep, in the bathroom mirror, in the corner of his rooms etc. I think this advert has a massive impact on audiences as the repetition of seeing the child really makes you realise the hugeness of what this man now has to live with due to careless driving. Furthermore I want to add this type of repetition into my advert and have the camera constantly showing her in different situations such as school, class’s and with her friends. In addition she will fade from the end of each scene to give the audience the idea that she has passed away, and what is left behind now she has gone is devastating. Unlike this advert though I don’t want the man who killed her to appear until the very end, where you will then see his facial expression and it will suddenly hit you what has happened. The slow pace of the advert that I want to create will hopefully draw the audiences in so much that when that scene of the man suddenly appears it will create a massive impact.
Although it is proven that fast upbeat music will stimulate your brain and grab your attention quicker it will not fit with the mood of my advert. Therefore the non diagetic music I want to use will be a slow paced, non lyrical instrumental, something that adverts don’t often use and therefore will draw attention from that aspect. It will also cause the audience to feel the emotion that needs to be felt when viewing these types of scenes and will therefore interact better with the audience that an upbeat song would. A sudden break in music will add to this which is why I want to have a sudden cut in the instrumental where a crash scene will evolve and a loud crash and cry sound will be produced, which will hopefully have the power to shock the viewer.
After the group decided on this topic (drink driving) I began thinking of my individual idea, what could really grab the attention of the audience and have great impact on them leaving it in their minds even after the advert has finished. Therefore I came to the conclusion that there are not many adverts out there broadcasted often about living with the consequences of drink driving and so I wanted to target this area of fatal drink driving accidents. How could I do this.. I researched many drink driving adverts such as, http://www.youtube.com/watch?v=xtJqw--DGl8, DOE drink driving advert. http://www.youtube.com/watch?v=qsY_Co-p8Bw THINK! Drink driving advert, and http://www.youtube.com/watch?v=oQtTREndJKk
There is an advert that is currently being broadcast that involves a man seeing the child he killed everywhere he turns, in his sleep, in the bathroom mirror, in the corner of his rooms etc. I think this advert has a massive impact on audiences as the repetition of seeing the child really makes you realise the hugeness of what this man now has to live with due to careless driving. Furthermore I want to add this type of repetition into my advert and have the camera constantly showing her in different situations such as school, class’s and with her friends. In addition she will fade from the end of each scene to give the audience the idea that she has passed away, and what is left behind now she has gone is devastating. Unlike this advert though I don’t want the man who killed her to appear until the very end, where you will then see his facial expression and it will suddenly hit you what has happened. The slow pace of the advert that I want to create will hopefully draw the audiences in so much that when that scene of the man suddenly appears it will create a massive impact.
Although it is proven that fast upbeat music will stimulate your brain and grab your attention quicker it will not fit with the mood of my advert. Therefore the non diagetic music I want to use will be a slow paced, non lyrical instrumental, something that adverts don’t often use and therefore will draw attention from that aspect. It will also cause the audience to feel the emotion that needs to be felt when viewing these types of scenes and will therefore interact better with the audience that an upbeat song would. A sudden break in music will add to this which is why I want to have a sudden cut in the instrumental where a crash scene will evolve and a loud crash and cry sound will be produced, which will hopefully have the power to shock the viewer.
It shows on various websites such as http://www.drinkdriving.org/drink_driving_information.php and http://www.drinkdrivingfacts.com/drinkdriving/drink_driving_facts.aspx, that statistically men ages 17-29 are the main causers of drink driving road incidents. Therefore we want to take this age range into consideration and aim our adverts at this age group but for both genders as fatal incidents are far too important to ignore. More than these two websites suggest this fact therefore it is reliable and the use of statistics makes it more believable and realistic and most importantly taken seriously.
When considering where and when my advert would be broadcast, I questioned many people about which channels they watch the most. (asked 16-20 years of age people) and E4 and E4+1 followed closely by VIVA where the most frequently watched programmes. Therefore this channel slot would be most effective for my PBS as it is aimed at this demographic, furthermore it would be shown after 9 (watershed) as the scenes may be too stressfull and upsetting for younger viewers.
Tuesday, January 11, 2011
THINK BIKE.
http://www.youtube.com/watch?v=SXI8-_9FrB4
This public service announcement advert engages you right from the very start, entising you when you realise you are feeling as though you are in the seat of the car, driving this vehicle towards a junction. As the car comes up to the junction it slowly reveals the driver, which we now relate to as we feel what it is like to be in his seat. PSA's need to grab attentions right from the very start in order to create maximal impact on the viewer. Causing it to remain in our heads and at the forefront of our mind for a while after the advert has finished. This advert I believe does this very well, for example its very quiet and eary almost as if your expecting something, yet everything is clear he is checking both ways and all looks safe. Suddenly as he moves forward an instant horrific crash happens where a motorbike has catapulted into the side of the car. The instantaneousness of this crash really shocks the viewer creating full focus on what has just happened; almost as sense on understanding of how that would feel if that had been us.
When the man moves out of the car and round to the injured biker, his face represents how anyone in that situation would feel, shocked, upset, grieving and in disbelief. Feelings that no one would want to live with. The camera angles throughout are extreme close ups giving greater impact as the whole situation feels closer and more real. The one time the camera uses a long shot is very cleverly done, the reason for this is that it is at the point where the voice-over says 'or here' showing us the safe distance to see the bike. This long shot emphasises the distance, emphasising the meaning to the viewer.
''look, look, then look again'' are some of the last words said by the voice-over, this repetition really makes it stick in our minds, along with still feeling the shock factor from watching and almost experiencing this crash this really will make the viewer think. The voice-over is a man's voice kept at a very dull neutral voice, this creates it to almost imprint in your mind, over and over. The use of lighting in this PSA is very clever also, as its very realistic lighting while also being grey and dull, therefore representing the mood of the advert; makes it very serious and shocking. Overall I think this advert is incredibly straight to the point, dominating the audience with barely any room for interpretation, therefore achieving what a PSA should. The impact of the advert when I viewed it, even though iv viewed this many times still sticks with me after, leaving me feeling in a slight state of shock and sadness.
This public service announcement advert engages you right from the very start, entising you when you realise you are feeling as though you are in the seat of the car, driving this vehicle towards a junction. As the car comes up to the junction it slowly reveals the driver, which we now relate to as we feel what it is like to be in his seat. PSA's need to grab attentions right from the very start in order to create maximal impact on the viewer. Causing it to remain in our heads and at the forefront of our mind for a while after the advert has finished. This advert I believe does this very well, for example its very quiet and eary almost as if your expecting something, yet everything is clear he is checking both ways and all looks safe. Suddenly as he moves forward an instant horrific crash happens where a motorbike has catapulted into the side of the car. The instantaneousness of this crash really shocks the viewer creating full focus on what has just happened; almost as sense on understanding of how that would feel if that had been us.
When the man moves out of the car and round to the injured biker, his face represents how anyone in that situation would feel, shocked, upset, grieving and in disbelief. Feelings that no one would want to live with. The camera angles throughout are extreme close ups giving greater impact as the whole situation feels closer and more real. The one time the camera uses a long shot is very cleverly done, the reason for this is that it is at the point where the voice-over says 'or here' showing us the safe distance to see the bike. This long shot emphasises the distance, emphasising the meaning to the viewer.
''look, look, then look again'' are some of the last words said by the voice-over, this repetition really makes it stick in our minds, along with still feeling the shock factor from watching and almost experiencing this crash this really will make the viewer think. The voice-over is a man's voice kept at a very dull neutral voice, this creates it to almost imprint in your mind, over and over. The use of lighting in this PSA is very clever also, as its very realistic lighting while also being grey and dull, therefore representing the mood of the advert; makes it very serious and shocking. Overall I think this advert is incredibly straight to the point, dominating the audience with barely any room for interpretation, therefore achieving what a PSA should. The impact of the advert when I viewed it, even though iv viewed this many times still sticks with me after, leaving me feeling in a slight state of shock and sadness.
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